The Letter that Dances.

And how desire be acted as such, for it cannot be unless acted within the beatific timelines on a sol key, on the ethics of the signifier, if the platform’s cause upon which we put our oath is not attuned to rhythm- enjoyment as much as desire share the musical ear of an analyst: and if there is something our voice needs, that is the chorus of the signifiers as they shift and shape in their acts of representing the subject within and for one another; for, if psychoanalysis aims at the truth, and beyond that at the real where the letter’s silence can only sing of the Asomatos, The No Body, one that will produce an analyst, it ought to do so by dancing- signifier upon signifier and all without signified: that is what makes the chain of names of the father move, when, exactly when they become notes: when passing from the Sirenum Scopuli, one ought to have the capacity to sing, not only to hear, the Sirens’ song, not as an example of the Le signifiant flottant but as what makes a signifier flow- the letter that dances; and that desires silence because Lazarus has never laughed, but once, after his resurrection and that is why one may draw a whisper that he was still dead.

 

The Psychoanalytic Act: On the Formation of the No-Body.

By Petros Patounas.

The School of the Freudian Letter Publications.