The Apocalyptic Act- Part 7: On the Anxiety of the Death of Time.

And, at the toponarcosis of pathos not been cultivated within the anthropophilic jaws of a system of the Other or jouissance destined to reckon the dire request of an instance, no more than the subtraction of the small ‘a’ from what one may call chronic, the Achronic anxiety to which the Greeks have been zealous enough in dedicating an unconscionable statue, a piece of art to principle not the sexual or suffering, an agalma beyond, in fact, the binary of those two evils of comedy and tragedy sculptured as such within the breeding of an occasion and the truth bared by angst, not as “a before” or “an after”- that is, as a signal of what is to be a Being beyond sexual difference, one which, the (a)somatic function of femininity becoming ether tempting Saint Antony of Egypt; the chronometric ability by which anxiety is placed as a before or an after collapses at the precise moment of the experience, where the Diskobolus, depicted by the hand of Myron on a ptomainic marble, is about to release the discus- not before and neither after, but within the defined juncture of the experience where the end of the drive becomes a start once again, and, yet itself, the occurrence, is neither a cause or an aim: it is a soil where the Cause houses its ethical dimension, ‘a’ timeless one- and, if with the assistance of the ophthalmological instruments, which are made to misinform the Ousia of an experience beyond the body, one views the soma of the Diskobolus because one is not a spectator of what is Asomatic, where the nature of the calligraphy of the letters becomes a foundation itself- not the names of God but the letters of God shape a ParOusia, that of the Paraclete that by itself it is one of the names: the ptosis of time needs and ear and an infected vision: Oedipus has inflicted the wrong part of his flesh, for, it was his ears that he should have treat for being too deaf about the pyrosis of his desire.

 

 

The Psychoanalytic Act: On the Formation of the No-Body.

By Petros Patounas.

The School of the Freudian Letter Publications.

The Sinthome is to Act.

The Being Silent is a choice of responsibility for the subject through a canon’s spiral cylinder commanding silence: the Sinthome is the Act, not a goal but a beginning of the topo-logy, where a subject’s Logos becomes an oath for a praxis; this is not anepigraphic, as a new epic accompanies the operation, yet, for this to be the case within a practice with some class of optimism towards the orientation, the act could have been assisted by an uncircumcised tongue, a not so fervid Ankyloglossia. For, to anagrammatize silence’s commotion, the Speaking Being ought to ensemble an Erg(On), an Acting Being; if not, one remains with anastomosis, an open mouth and no speech or one that presently speaks- and that is how an author should illustrate with letters a departed subject, as much as Hebdomeros describes the plasmatic function of a dream. Speech is only the parergon to the Act- and this is whispered to the analyst as a competence, a device of his desire.

 

 

The Psychoanalytic Act: On the Formation of the No-Body.

By Petros Patounas.

The School of the Freudian Letter Publications.