On the Liturgy of the Phallus

‘Ελοΐ Ελοΐ λιμά σαβαχθανί: and yet the Word is not forsaken with the relanguagement of the phallus to which the psychotic subject will inveterate its circumscription to the kinesis of a cause, for, the metric system of a position that has no oscillation and yet it is sexual cannot exist without its binary, mistaken that, that that which cannot be read has been nominated as such, because psychoanalysis has elapsed that those letters having no inscription are not read in the direction of the signifiers, better to murmur doxologized, but, in this displacement’s rhythm, they dimension their form-id-able cry from left to right and in negation to the antithesis of the antonym’s location when it eclipses the linearity of the graph of the signifier’s stasis within the structure∙ and, yes, and that as it has been perceived by the experience of the psychoanalyst’s savoir-faire with the limited devotion to the Organon, which is neither a phallus nor a penis, and who, that he in question, who does not version to recompense the nuisance to inaugurate the proverb’s new truth, once again, one by one, but as the Golden Ass of Apuleius, the asinus aureus that even saint Augustine has been concerned to remark, in his privacy he repeats it, reinventing the signifiers of the wheel: that is the begetting of the position of the supposed subject of idiotic knowledge, surely with the phallus and certainly delicate: it is that which indeed can have the sexual characteristics of time without a phallus∙ and, to this sorrowful conception of a language of a Subject articulating a desire but does not act on it, because the juggler in the king’s temple has avowed that not much can be articulated about desire, even less to act upon it, resulting in an ideal of a speaking subject castrated of its verb afar from the ErgOn, one in the forms of many elevating Rasputin’s fame to that which only the queen knew, to which the Freudian dream would laugh at the false mystery of the statement, that interpretation is dead: for, if the mystery of interpretation has been indemnified, it is because psychoanalysts have been trans-muted into barbarians, foreigners to these new languages and narrative alphabets, for, themselves and their practice is Alien to the real world, with many cured subjects and very few analysts: the letter’s own voice demands that a terrible ear grasp its paradoxical shape, which is flux: this is the Aether allowing to, to he who has no Other to become paranoid∙ on behalf of the issue at hand not been misidentification and neither dis-identification as the body is but a runic transliteration to which desire is dedicated to the altar of the flesh, in perpendicular position but not motion, one to be originated with the blade of the Act for the reason that the knot of a Gordian nature requests to be scarified, when the psychoanalyst can allow his own body to remain on the chair so to introduce the threshold of Λόγος, which is kinesis, perpendicular and not horizontal that is the passage of the signifier: the act in the letter is that which frees those letters and whose sound do not tinkle like feathers the psychoanalyst impressionability because he does not permit to the irony of the voice to shape the activity of the letters, from left to right like numbers, always backwards and chained into the syllabic propositions of the consonant· the Ousia is not an after nor a before, for it is not timed, but harmony equal to the proportion of the modulor and the body inscription of diphthongs, whose union establish that homo-gene-ity which is of the word embodied and from whose faith the signifier is personified: κα λόγος σρξ γένετο: but never the πνεμα: that, that which is a letter destined to breath and not to breed the Same, like the signifier.

 

And he who has a barbarian essence and spells an echo according to the understanding of a structure and not of the diver-a-gency of the alphabet, holding that scepter which is masculine and supposedly further than a given sympathetic meaning, but, a representative of the sybaritic representation of the carnival of the phallus as an antidote to the phenomenology of the gaze, where, or, instead, he who is a diviner of the Logos knows that the apparitions are spelled out by the Voice to this pompe of the signification of the subject of the unconscious, that- and this is what is forgotten because of psychoanalysts’ admiration of the phallus- cannot exist without a Verb: a fecundity sacrament, not of Desiraction and a devouring commemoration of another Tre Ore along the theme of life yet never part of it, reverberating and not verbifying, the trauma of the signifier’s skeleton∙ and, the sibylline depended clauses utter that an object within a cause, that which causes desire, will do better than the phallus, only that the liturgy of Freud’s and Lacan’s signifiers’ as they have been conceived, not through a parthenogenesis but through the sexual position of been or having of the priest, and not of Act and cause, are too much adored from he who still thinks that can have sex with a woman∙ and, because the source, that, that which is inhuman and not bodily, is a circle without a corner to rest, akin to a language and spoken in a parapraxis of desire as a purpose of its speech: and, lo and behold- there, there the Thing tinted lenses its first creation: that which is Lazarus: he who has lived again without the phallus∙ and, in terms of a hypostasis, relating to one Ousia- my dear friend, it is just the configuration of this statement in a different order, for, it is three Ousies and one hypostasis∙ one does not negotiate desire: there are a few letters in the poem put together and produce this famous Act, a signature itself written by your being and that infamous Freudian body∙ for, the inter-cession of the Letter is the principle by which the breath lends a hand and conducts supporters of the Cause who search with a reconciliation with the breath, which is desire: no signifier can mark the body during inhalation.

 

And if we know how to request kindly a question to en-grave a few words, just to smell the oxygen of an empty space, it would have been related to the Freudian construction in terms of the breath: what is actually been constructed if the practice is beyond the father∙ certainly this construction is not the liturgy of the phallus.

On the Kinesis of the Unconscious.

Regnabo, Regno, Regnavi, Sum sine regno: the letter is Empirical- it is EmpiReal: there is no silence to the drive, unless one cannot hear very well- a true gift for an analyst to grasp the double image of the object whose binary functions can either orient to desire or to jouissance, which is not alone and not mystical,  but with the company of the Other: and because the tachyon, that letter carrying the lights and the letter’s own voice, truly beyond the enlightenment of the imaginary and the image, onto this moving target that moves towards the Βίος of the Heraclitean bow and not in elliptic paradoxes, what is the place of activity of a Cause of desire, which is not a position, is the identification with the object, that which causes desire, not the symptom∙ that my dear unfaithful Thomas, trapped into the circle and the repetition of a meaning yet with the explanations of the Other, locates the kinesis of the unconscious onto the source of the drive and not its tip.

 

And when the object itself  and not its gloominess con-courses the subject, it is not from the phallus that one offers the gift of belief  to an axiom of language, but to the letter that is unparticular inflowing the realm that it is not even uncanny, an EmpyReal to which many an analyst shall be converted into the scale invariant to what can be playacted by a monotonous and not less banausic mouth, that estuary of air of the he who is to speak of ontology with its counterpart, which is deontology, as ethic: and, yet, the candor of the practice is not even that, for, it is a scale invariant without momentum and mass to whose attribute, he, who is the leader of the Arian tribe, shall plead guilty about its musicality, when, in fact himself does not know how to play the piano with the phalanges of the handyman- for intellectuality cannot not offer the prerequisites of the act upon life, which is not a given but can be a creative prosopopoeia, a plasma on its own right, not the subject solicituded within and around the structure.

 

And, if the feet which stand upon a ground dehumidifying an apotheosis, relying to the calumniatory question of sarcasm, of the Where do I start, themselves depict that this deportment of perambulation begins from the matters which are issues of the earth, from that anything forms, debarring that first breath and the Plasmatic appearance of the unconscious in its elemental states of corporeality of a foaming at mouth journeying from the ionized violence of that which is limited by time∙ that is the Γράθμα where the double of the letter has melted at the tip of the tongue and the Γ has passed through the threshold of metousiosis and has been breathed into a Θ, and not  into the halacha of the Jewish law, whose articulation appears to be a letter, to which discourse offers a tube of air present to the scale invariance of the trinity of spatial symmetry, the subject’s reflection, interpretation and rotation: to these the Letter cannot move∙ semiosis and use but not be a Cause∙ and when the object changes positions within the discourse and the body, it is because the subject hides the Parousia of the breathing letters as the so called chameleon assumes the formula of a percolated scalar infinitesimal syllabary with a non-linear interaction to one another since it uses the signifier in resembling a dues ex machine and fools the analyst who thinks he hears very well when he tones his immaculate ear to grasp the harmony of the signifiers, in the same manner that the Ousia of the Aristotelian theories, has been conceived in the time that it was believed the earth was flat- not the Das Ding and neither the subject- leave aside the Ergon∙ and he who is a grand piano thespian, and certainly knows about notes and master signifiers, himself not a master, could have testified in a court of law that the values of the letters is the Niente when the diminuendo has finished, and to where the dark energy which is homousian to the Ousia but not to the breath, an entelechy including the psychoanalytic Act, passageways towards this Everything, which is not simply Real but Apeiron.

 

And here is the question, which is a true mystery, and not a surprise: how does the psychoanalyst intervene on a structure that is plasma? Ποταμοσι τοσιν ατοσιν μϐαίνουσιν, τερα κατερα δατα πιρρε∙ yes- it is true, but besides the Logos- which is what is unmoved and traps the ear of the analyst into a towards the No, and not towards the conduction of the troparion of the προς-ευχή: that is the orientation of the Kinesis towards desire and the answer to the enigma from where do I start.

On the Transliteration of the Psychoanalyst.

The being is not an emblematic tautology whispering that the being is being: that it is antecedented by the sophist or the polemicist whose most private member has been replaced by a pansophy, not much of a different organ, when, still, the object of copulation is the woman to be reduced to a rib taken from a man∙ the being is a cause, when the Das Ding be-comes a Das Being, a command of desire to Be a cause, be-cause the signifier is repressed but not the Letter: this is the enumerating prayer that is not numeric and not a Noumenon by which one knows how to use the Real.

 

Not, not the Act of speaking, neither that of the subject of speech, of the ποκείμενον– but from, not of, the Act who Speaks: that is not the speaking being of the been speaking, but the ErgOn whose vitality is not ornamentalised by the forename of the acting out founded on the What cannot be said nor upon that which has not been received or interpreted from the Other, but of an Acting because It is said: and, if an uninhabited dictionary entry would have been able to verbalize, or, at least to stutter its demand for a genesis of that godforsaken destitute received by the object, that would have been the definition of Saint Christopher the Dog whose being is without a theory of forms, an άσχημος, without a shape, as the intonation of the object ά moves beyond but not apart the schema, from the Entelechy to Entelexia, which marks the revelations of the Letter and the Ascesis of the psychoanalyst sourcing the transliteration of his desire∙ it is a mere flash of humor to take a huff from the Other of the Rosetta Stone and the transliteration of the hieroglyphs of a system, which is a metasis and not desire, since the letter scripting the afar of the ethics of a system’s coordination cannot assist the metousiosis of the Ascesis, one practiced with the analyst’s being, a Μεταγραφή of the proper orientation not of the treatment but of the analyst and fervently not in terms of transcription that is the way of the scribe, a servant of capitalism’s Ousia, who asserts that the ear of interpretation is dead whilst it is more alive than ever and simply he cannot interpret, implied one has the capacity of bathing within the expansion  of the Apeiron, the Real of the letter and not of the signifier and of the structure, and without a second thought, of the semiotic analytic position, a death drive of no motion and a daughter of an alphabet which is of Lepsius, not towards meaning and application from one to another, be that of signifiers or of meaning, but due to its use of diacritic marks: failed, would be those who attempt to read and not dance, upon letters who are not notes and thus they are breaths, macrons of vowels indicating the way of desire and speech, eventualising the subject for the Act- that of life.

 

And, from the cause, derives the exigentia, not the agency but the urgency’s writing on the flesh gambling on this exigency whose ink escapes repression: the signifier is repressed but not the letter, for, it breathes encapsulating the availability of a destiny, not that of an epitaph to whose chair the psychoanalyst sits comfortably like a caliph, but one whose testicular organs have been removed just to identify with a philosopher autocrat not allowing himself to be written, never irrigating the introspective that the unconscious is timeless but not space-less, because desire, within that which is an unadulterated creation yet not a parthenogenesis, is not a hamlet nor a locus, as much as that is designated by the signifier, but a direction into the abysmal and unmethodical Aether, of the substance interweaving with the registers∙ the Aether is that which is not a number: not the agency but the Exigency of the Letter, emanating not in space and not on a body’s periphery, whose pursue is to be articulated within a material that in inhuman- and how difficult is it to bear the gymnastics of a discourse that clamors for the risorgimento of interpretation, which cannot be dead because the analyst’s voice is not taken into account, since it reduces the interventions to a “What shall happen now∙” it is not what, a So what, “What will happen now”- but a “What are you going to do”∙ for, the Aether is not the Other while the macros intervene upon those Diphthongs with a cut∙ that would have been more wise for the philosopher who cannot produce an Act for the reason that he states that there are only two Acts in psychoanalysis, what a simpleton, to name it a Laceration– the letter does not appear when the signifier is cut, but another signifier∙ and yet, because Lernaean Hydra’s head is reproduced and expands when Herculean hands axe one head, we ought to laugh with the disciple of truth, who would have known that what is been cut needs to be cauterized: that is a definite stain upon a body, ligatures that life’s discourse itself seethes on what it could have been a formation not based on Nomina Sacra, as these sacred names are letters not bent through the desire of the Subject: and those do need an Act to condense the vinculum’s sexual attraction upon the letter and meaning.

 

The Ethic, which is a Breath, not that poisonous commencing from Hydra’s mouth as the myth has it, does not require a Father but a drive to be driven by the source and not its object- not in a lunate proposal where the letter would be a mere representation of a signifier but through the kinesis of what the σίγμα within the scheme of a proper name’s fermentation agents is testifying at the crossroad of Arete and Kakia, where the signifier becomes a sacred letter and the subject identifies with the grammar of the master, not its discourse: both embodiments are women and the letter is beyond the Woman, for, it is not a dedication∙ and, when this latter identification occurs, there is no bar or vinculum, but the tilde who aims, not a ‘that’ aims, at the new apocatastatic use, though to deal with the same Ousia that has been ex-communicated to the function of cacophonising desire∙ for, the psychoanalyst is called to read not, not the acting out, but the circumflex in the foreshadowing of the mathematical con-text’s alleviation reducing the Letter into a number, thus transforming its utility, and, hence, resulting to what Julian the Apostate’s chirography has probed by vilipending the divination of Λόγος from the carcass, to “Recite a prayer to a corpse”∙ a transmission from the animal to the animal, and not to the human, an illness of the breath in Proteus’ motion: that is why it is said that interpretation is dead, because of the name day of that corpse who cannot interpret by transliterating the Letter to desire: Abecedarium Stasis.

On the Ousia that is Feminine but not of a Woman.

And, from the lo and behold of a proposition which is not the result of a psaltery’s pseudepigraphic composition within and beyond the threshold of the Act demanding not of the wisdom of Solomon but of the reception of “The key to the world in the split of the prepubescent, the psychoanalyst no longer has to expect a look, but sees himself become a voice∙” and from that Voice, powders the first Ανάγκη and yet not in particles∙ and, that is not discourse- it is a breath and a letter, unparticular and not in particles, from which the discourse and the Voice mark the lamina of destiny and time upon the subject and its flesh to embody the word and the signifier∙ those are Homoousian to the Das Ding, the Letters, the Breath and that which causes desire but itself cannot desire unless privated and ex-posed at the same time to the gnosis of holiness and carnal acquaintances for that which is sup-positional to prevail in immaculation, not emasculation, and, from whose kernel shall a homo-ousia that is not a man, produce the digammon Stigma to become the episemon six within the signifier, for the letter becomes a number, and from the mark is fashioned sex: this is a riddle∙ for, the question to mark the tantalized nerves of a psychoanalyst’s transference to the Cause is, not what is a woman, or, what does she want, but, what is not a man: what does not have a phallus but is not a woman, and not an object with No-Body, a being which, in its silence, even among the spectrum of the perversion of perversions, one cannot copulate with and breed devils∙ to this, the various generations of analysts ought to give us a testimony.

 

 

The Psychoanalytic Act: On the Formation of the No-Body.

By Petros Patounas.

The School of the Freudian Letter Publications.

The Apocalyptic Act- Part 8: On the Agoge of the Psychoanalyst.

For a mystic the uppermost invention of the Act is Apraxia; for an analyst it is the Apraxia of the word and the instigation of the Act. And, hence, a good representative of this operation could be the sister of deafness, not silence,  but paracusia, which is a good reason for analysts to waste a portion of their saliva: the logos is the encryptation of speech and the presence of the praxis,  akin to the process of an ErgOn opposing that name which is Apollyon, as the Ergon is a genesis without a god: one can use the confabulation, the signifier, dipped into the ink-sac of a cephalopodic creature when the subject, the barred subject, becomes a verb and the speaking Being’s speech manifests the oath devoted to the act; for that function one may use the phlogiston, because that Being who acts, its Word is no less than fire, an autographic litany sculpting its own lexis letter by letter; the praxis of a true lexicographer: and, if it is for a formation to be in the line of its humane ancestry, the analyst ought to speak to the echo of the civilization’s semblance- that is why they are in possession of a voice. And, this, voice, is to be heard all the way through the Agoge of the subject that familiarizes analysts towards the “Been the Words of Sparta:” Erg-On, an act which is visible yet it can only be heard; that is what may happen if the analyst passes the threshold functioning as a law, having in his pocket not the object but the ethic.  Yet that is the work of Avowal, a literal metalinguistic act where the craze of the flesh dressing the fetish, not being there for use, loses its skin and becomes a letter- casus generalis of a position that is the Apraxia of the feminine moving within its place, persistently, along the dystopian hopes of a time to become: and, nevertheless, it is no time but the Parabasis of the drama: for a subject of misery to bear the Real of a joke through a laughter.

 

 

The Psychoanalytic Act: On the Formation of the No-Body.

By Petros Patounas.

The School of the Freudian Letter Publications.